Pub Date: 01/01/09
Genre: YA Contemporary
Pages: 210
Rating: 3.5
Blurb:
On a day
that started like any other, Mia had everything: a loving family, a gorgeous, admiring
boyfriend, and a bright future full of music and full of choices.
In an
instant, almost all of that is taken from her. Caught between life and death,
between a happy past and an unknowable future, Mia spends one critical day
contemplating the only decision she has left. It is the most important decision
she'll ever make.
Simultaneously tragic and hopeful, this is a romantic, riveting, and ultimately uplifting story about memory, music, living, dying, loving.
Simultaneously tragic and hopeful, this is a romantic, riveting, and ultimately uplifting story about memory, music, living, dying, loving.
This review could’ve
been different. It didn’t have to be this way.
I was really enjoying If
I Stay by Gayle Forman. The writing was exquisite, the characters unique, and
I was driven close to tears at points. I was so engaged, compelled to wonder
what would happen next and how the narrator’s dilemma would be resolved.
And then the author
screwed me over.
Let me backtrack a bit.
So, teenage cellist Mia
is on a snowy drive with her parents and little brother when a truck crashes
into them. The parents die instantly, and she and her brother Teddy are taken
to hospital in critical condition. Mia is in a coma, but her spirit/ghost/soul
is aware and follows her body around, though she can’t interact with the world.
I guess that’s comforting for those with friends in a coma.
The whole story takes
place over a couple of days with a lot of flashbacks and introspection, so most
of the action is Mia’s body having various operations and panic stations, and
all the people she knows coming in to talk to her and ask her to come out of
the coma. Mia’s spirit can wander wherever, so she sees her best friend Kim and
boyfriend Adam planning ways to break into the ward and sees the outside world
that way.
I really liked the
flashbacks. With that short a timeframe, they were necessary to have a
book-length work (more on that later). They mostly focus on her boyfriend, her family
and music (specifically the cello and her growing proficiency at it as she
picks it up as a kid, then goes to classical music summer camps – while Kim is
at Jewish camp – and finally auditions for Juilliard). Hang on, I just realised
that if she survives, she might be so mangled she’ll be unable to go to
Juilliard. That’s sad.
She has a really good
relationship with her parents (maybe a bit unrealistic, but nice to read). Her
parents both used to be rockers, but her mother is now a housewife and her
father an English teacher. We see another iteration of Ditzy Father Syndrome –
he didn’t learn to drive until the second child (Teddy). It is a charming
family, though.
Anyway, soon enough
after the accident, she realises that this spirit of hers has the power to
decide whether or not she stays. She weighs up the options – live with her
friends but as an orphan, or die with her family? There’s a very touching
moment nearish the end where Kim whispers to her that all her friends and
non-immediate relatives are waiting downstairs and that “You still have a
family.” We see her being swayed different ways by hearing different people
talking, and this really got me thinking and seriously trying to figure out
what she should do given the available – well, not evidence, but information.
Sort of like an emotional detective story.
Here’s where the
screwing over comes in. When I’m really enjoying a book but I’m nearing a bit
where I’m afraid the author might choose to end it, I take a quick look to see
how many pages are left. I was reassured here because there was around a fifth
of the book left … and then I turned the page and it said THE END.
You know what was behind
that page? Acknowledgements! And background information like the reasoning
behind music choices, which I was too insulted to read! For like forty pages! I’d
expect to see that sort of thing in fanfiction, not in a published novel.
What had just happened
was what might happen 60% of the way through a novel, going by classic
techniques or whatever. A sign of hope that doesn’t give away the ending.
It’s absolutely
inappropriate for an actual ending!
The book is a measly 210
pages, and the worst part is that the story isn’t even remotely finished. Even
as a reader, I could say (broadly) what should happen next.
Oh, and surprise
surprise – there’s a sequel. A sequel called Where She Went. Okay, not only is
that a massive spoiler, it’s totally inaccurate and doesn’t follow the first
book, which is – I’m pretty sure – the entire point of a sequel.
Then again, it’d be
difficult to follow the total non-ending of that book.
Look, it might not be
the author’s fault. The writing was beautiful, and it does seem like something
a publisher might choose to do for commercial purposes (especially going by the
movie). But I can’t think of anything that could’ve happened in the book that
would have pissed me off more.
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