The Star of Kazan - Eva Ibbotson Review

Publisher: Macmillan
Genre: Historical, Fantasy, YA
Source: Bought
Rating: 4.5 Stars
Blurb: Annika has never had a birthday. Instead she celebrates her Found Day, the day a housemaid and a cook to three eccentric Viennese professors found her and took her home. There, Annika has made a happy life in the servants' quarters, surrounded with friends, including the elderly woman next door who regales Annika with stories of her performing days and her countless admirers - especially the Russian count who gave her the legendary emerald, the Star of Kazan. And yet, Annika still dreams of finding her true mother. But when a glamorous stranger arrives claiming to be Annika's mother, and whisks her away to a crumbling, spooky castle, Annika discovers that all is not as it seems in her newfound home...


Review:
I loved this book, and it's easy to see why. It was extraordinarily refeshing and well able to withstand passing trends - it's a classic book for any age, because the subplots reveall themselves more on each reading. Having said that, it was still a very simple story, perfect just the way it was.

I was impressed by the degree of subtlety with which Ibbotson presented this quaint, old-fashioned story. I loved the good old narrative story-telling. It's different, but it suits this book perfectly. The writing really played to its strengths, with the details serving to illustrate the enchanting world being created. I ususally only consider world-building when reviewing dystopians and the like, but the setting here begs admiration.

It was Vienna as I'd never seen it before, a place full lof magic and intrigue. It was descibed so well that I wanted to experience it myself. The Lipizzaners, royal horses, were an excellent touch among many. Flavoured by Annika's childish excitement and enthusiasm, they were simply a delight to read about.

I loved the rich cast of characters. The Professors had to be among my favourites, and they reminded me of those in Ballet Shoes, a childhood favourite. Sigrid and Ellie helped to dispel the stereotype of the unfortunate, mistreated orphan, while also providing acres of reading pleasure with their heartwarming cookery lessons for Annika.

The simple friendships between Annika, Pauline and Stefan were lovely, and their camaraderie was excellently written, as were the tales of the old woman. Even if her stories made me want to cry in parts. That’s a good thing.

It’s funny how the main plot didn’t really enter into my considerations. In this book, while there is a great plot, that’s not the important part. The beauty is in the details.

I didn’t give The Star of Kazan five stars because it didn’t have a deep impact on me. But it was hugely enjoyable and such a cozy book. It’s the kind of book you want to read curled up beside a fireplace when nobody is home. It reminded me of a snow globe, with snowflakes making the city of Vienna look magical.

It was like A Little Princess, as were Ibbotson’s other books that I’ve read, Journey to the River Sea and The Dragonfly Pool. Altogether an enthralling and very enjoyable read which I highly recommend.

And here is my draft of this review, which I tragically had to redo after I lost the original copy.

After the Ending (The Ending #1) Review

I'm taking part in the blog tour for After The Ending, sponsored by Pump UpYour Book with a review!

Authors: Lindsey Fairleigh and Lindsey Pogue

Source: Netgalley

Publisher: L2 Books (America)

Genre: Post-apocalyptic, Romance

Pages: 478

Rating: 4 stars

Publication Date: 22^nd February 2013

Spoilers: Mild

Official Summary:  When people started getting sick, “they” thought it was just the flu. My roommate, my boyfriend, my family…they’re all gone now. I got sick too. I should have died with them—with the rest of the world—but I didn’t. I thought witnessing the human population almost disappear off the face of the earth was the craziest thing I’d ever experience. I was so wrong. My name is Dani O’Connor, I’m twenty-six-years-old, and I survived The Ending.

The Virus changed everything. The world I knew is gone, and life is backwards. We’ve all had to start over. I’ve been stripped of my home, my dreams…all that is me. I’m someone else now—broken and changed. Other survivors’ memories and emotions haunt me. They invade my mind until I can no longer separate them from my own. I won’t let them consume me. I can’t. My name is Zoe Cartwright, I’m twenty-six-years-old, and I survived The Ending.

We’ve been inseparable for most of our lives, and now our friendship is all we have left. The aftermath of the Virus has stranded us on opposite sides of the United States. Trusting strangers, making sacrifices, killing—we’ll do anything to reach one another. Fear and pain may be unavoidable, but we’re strong…we’re survivors. But to continue surviving in this unfamiliar world plagued by Crazies and strange new abilities, we have to adapt. We have to evolve.

And more than anything, we have to find each other

.

In short: A great concept and excellent details but with some unnecessary elements.

The Breakdown:

After the Ending (The Ending #1) Review

Source: Netgalley

Publisher: L2 Books (America)

Genre: Post-apocalyptic, Romance

Pages: 478                 

Rating: 4 stars

Publication Date: 22^nd February 2013

Spoilers: Mild

Official Summary:  When people started getting sick, “they” thought it was just the flu. My roommate, my boyfriend, my family…they’re all gone now. I got sick too. I should have died with them—with the rest of the world—but I didn’t. I thought witnessing the human population almost disappear off the face of the earth was the craziest thing I’d ever experience. I was so wrong. My name is Dani O’Connor, I’m twenty-six-years-old, and I survived The Ending.

The Virus changed everything. The world I knew is gone, and life is backwards. We’ve all had to start over. I’ve been stripped of my home, my dreams…all that is me. I’m someone else now—broken and changed. Other survivors’ memories and emotions haunt me. They invade my mind until I can no longer separate them from my own. I won’t let them consume me. I can’t. My name is Zoe Cartwright, I’m twenty-six-years-old, and I survived The Ending.

We’ve been inseparable for most of our lives, and now our friendship is all we have left. The aftermath of the Virus has stranded us on opposite sides of the United States. Trusting strangers, making sacrifices, killing—we’ll do anything to reach one another. Fear and pain may be unavoidable, but we’re strong…we’re survivors. But to continue surviving in this unfamiliar world plagued by Crazies and strange new abilities, we have to adapt. We have to evolve.

And more than anything, we have to find each other.

In short: A great concept and excellent details but with some unnecessary elements.

The Breakdown:

My opinion of this book changed drastically about a third of the way through, so at first it left me with mixed feelings. I detested the going on about Cam and he weird Cam-related dreams. I know Dani is trying to get over the loss of Cam, and it illustrates the emotion of losing the world well, I thought that it could have been done differently. I felt that Cam’s death wasn’t built up to properly, but on hindsight, it shows how suddenly everything fell apart – so if it was intentional, clever move.

A large part of the book is spent subtly (and not-so-subtly) exploring the Survivors’ reactions and emotions after the Ending.  And I’m glad to say that it was done really well, from the Crazies to the militants. I was constantly reminded of Partials and wondered why society wasn’t as well developed as in Dan Wells’ novel – but then you have to remember that this book is set immediately after the ending, and it shows the chaos brilliantly. Looking back on it now, the foreshadowing is there – but some of it is very easy to miss.

 I had a problem with half of the book being narrated through e-mails between the two best friends. I’m sorry, but I have an extreme aversion to the use of acronyms in fully-fledged novels. It detracts from the reading experience and just annoys me. However, as the plot developed (and the acronyms disappeared), they started to grow on me, and I realize by the end that they had become very useful for a number of reasons: they help the reader keep track of time during the story, they showed the bond between Zoe and they helped build the post-apocalyptic atmosphere when one girl couldn’t reach a place with internet and the other started to worry because in a situation like that you just don’t know.

There is one problem I had with this book, though. All that romance was completely unnecessary! I agreed with *MILD SPOILER* Sarah getting pregnant with Biggs’ child, because it felt right. Their relationship developed faster than normal because of the urgency after the Ending, but it definitely developed. And it gave a sense of continuity, of the hope of the next generation. *BIG SPOILER* But there was something I could not stand. Dani and Jason’s relationship or rather, the way they went about it. The relationship itself was sweet, long-spanning as it was, but did the authors really have to be that detailed about the sex scenes? Alright, they were mild sex scenes, but they were just out of place and could have been alluded to instead. At least Zoe’s with Jake was enjoyable and interesting. A lot of the time all Jason seemed interested in was sex. Even though Zoe lampshaded this by calling him (her brother) a heartbreaker.  *END SPOILER*

Thankfully, After the Ending entirely redeemed itself.

 I adored the friendship between Zoe and Dani. It was explained at the end of the book, but – fortunately – not in the form of infodump. What I loved most about it was that it was obvious. You would have known they were best friends without it being said, through the way they spoke to and about each other in their emails and face-to-face. I found myself enjoying the double-narrative, especially as they drew closer to each other and began to mirror each other’s actions. The etails of their friendship and care for each other were brilliant.

Partway in, drama finally appeared – but wow, it was amazingly plotted. *MILD SPOILER* Clara poisoning Zoe, albeit unsuccessfully, was one of the biggest *Oh no oh no* moments I have ever read, and the same with the note Dani receives from Cece. This was amazing for two reasons: one, it helped draw more parallels between the travels of Zoe and Dani, and two, it showed the deep psychological effects of the apocalypse, where not every insane person was an obvious Crazy.

I am a huge fan of secrets being revealed unexpectedly, so this book both pleased and annoyed me in different places. The start of the Abilities was very predictable, although again, it echoed the rushed feeling of an apocalypse, but one moment Zoe’s was being foreshadowed and about ten pages later, there we go. Jake’s foreshadowing was slightly better, but still too sudden. Also, may I mention how similar Jake was to Jacob from Twilight? With the *SPOILER* fast healing  *END SPOILER*and the name? Except he isn’t a werewolf and has a genuinely interesting personality. Ouch.  On the flipside, After the Ending did well with revealing real secrets, like the mystery of the Colony and the motivations of the army. I loved the gradual revealing of MG – and wow, the last page. Not exactly an evil cliffhanger, but a clilffhanger nonetheless. Curse you, gripping trilogies.

Overall, the book was a good surprise, and I was forced to drop my preconceived notions after the first part as the survivalist aspect heated up and I started to love it.

The authors are running a promotion on Amazon for this book on the 17^th and 18^th of May only, so I really recommend getting it. You can purchase the ebook on Amazon here

About the Authors:

Lindsey Fairleigh lives her life with one foot in a book - as long as that book transports her to a magical world or bends the rules of science. Her novels, from post-apocalytptic to time travel and historical fantasy, always offer up a hearty dose of unreality, along with plenty of adventure and romance. When she's not working on her next novel, Lindsey spends her time reading and trying out new recipes in the kitchen. She lives in the Napa Valley with her loving husband and confused cats. You can visit Lindsey's blog at lindseyfairleigh.blogspot.com

Lindsey Pogue has always been a little creative. As a child she established a bug hospital on her elementary school soccer field, compiled books of collages as a teenager, and as an adult, expresses herself through writing. Her novels are inspired by her observations of the world around her - whether she's traveling, people watching or hiking. When not plotting her next storyline or dreaming up new, brooding characters. Lindsey's wrapped in blankets watching her favourite action flicks or going on road trips with her own leading man. You can visit Lindsey's blog at lindseypogue.wordpress.com.

 

More information:

www.theendingseries.com

Lindsey Fairleigh's Blog
Lindsey Pogue's Blog
After the Ending Blog

KOTW - Darquesse & Vile vs. Kitana, Sean and Doran

Here's an analysis of Darquesse and Lord Vile vs. Kitana, Sean and Doran in Skulduggery Pleasant: Kingdom of the Wicked, as requested by commenter Caspar Melville on my post about Darquesse vs. Lord Vile.

Warning: Spoilers for both Death Bringer and Kingdom of the Wicked.

Firstly, each character's traits.

Doran is one of those characters everyone despises. He is a stupid, mindless thug. But he's strong. Kitana gets a little more respect (ruthlessness commands respect). She's a crazy, spoilt brat who reminds me so much of Opal Koboi from Artemis Fowl. Sean's a prat and I'm sorry, but Elsie is a loser. She could've been a heroine, but she wasn't. And that is a credit to Derek Landy's writing, because she's a realistic person. At least she walked away and didn't directly take part in the mad rampage.

Apart from Elsie, they're all freaking psychopaths.

Vile is a warrior fueled by pure, focused hate. He's ruthless, driven and hard to injure, but once he's properly hurt, he has no magic tricks to save him. However, he is an extremely dangerous Necromancer. Darquesse is in possession of her true name, insanely powerful and capable of performing what seems to be raw magic. She's adaptable and her power is constantly growing, but she only comes out when Valkyrie's life is in mortal danger. Also, she's relatively inexperienced when against Vile, but knows far more than Kitana.

Experience and training are really the only things that enable Vile and Darquesse to win against Kitana, Sean and Doran. Without that, counting on raw magic, it's one (Darquesse) against three (Kitana, Sean and Doran). Talented, efficient and deadly as Vile is, he doesn't possess the same calibre of magic as they do. But in the long term, he's better. Because the three teenagers only have their extreme powers because of the sorcerer Argeddion, who knows his true name. Darquesse and Argeddion are really the only two with the power of their own names in the fight, but Argeddion has lent his magic to his three protégées.

And this raw magic is lethal.

Kitana, Sean and Doran, normally ordinary mortals, are able to skip the years of training done by everyone else to even approach their level. They work on pure instinct, like when Skulduggery tries to shoot them and they throw up a forcefield, not having known themselves that they could do that until it happened. Because of this strange new power they become cocky and self-serving, with Doran assuming a tough-guy act just because he can.

Of course, the protagonists still have some advantages, Before they become their evil counterparts, Skulduggery and Valkyrie are able to work together, instead of battling for dominance. Oh, platonic Valduggery, this ship develops so much more in KOTW. It’s inevitable that the tensions in the group of psychopaths tear them apart eventually.

Darquesse is a very high-functioning sociopath, so even though she takes glee in killing, she’s still masterfully good at what she does and doesn’t make stupid mistakes like Kitana – taking unnecessary risks as she becomes even less wary. Even when Darquesse is taken by surprise by their impossible recovery, Vile is there to step in – like a boss. I’m not going to go into the manoeuvres of Argeddion. Suffice to say that Val works around them eventually, even though they are very clever.

In the end, it all boiled down to this: Val and SP are trained, so much more than Kitana and co. would ever consent to being. That enables Darquesse to pull the recovery-from-decapitation stunt, ,and Vile to work around the impossible magic they have. And that’s the thing. It really is impossible magic. So impermanent. It couldn’t last, and our protagonists capitalized on that. It was a  terrifyingly close fight, but they won. And unless Kitana, Sean and Doran wised up and learned that power comes at a price, that they couldn’t expect to be so good at something without working at it, they could win again.

Kit's Wilderness, or Why Must School Ruin Books?

Kit’s Wilderness by David Almond is a classic light vs. dark redemption story, and it’s good. But reading it is an absolute chore. Let me explain. For the Junior Cert English exam, you have to study a novel in class and be able to write about everything in it. The teacher chose one book and everyone had no choice but to study it in class.

It’s unfortunate that our study of this novel consisted of dissecting it until I could hardly bear to look at it. We were allowed to read about ten pages in class, one person at a time, aloud. Did they not trust us to read it quietly by ourselves, at a halfway decent speed – say one that isn’t a page every four minutes?

I would’ve enjoyed this so much more had it not been compulsory. I do realise that it was technically a very good book, and feel out of place giving it a lacklustre review after seeing so many enthusiastic ones – but you try to enjoy a book that you’re forced to take often irrelevant notes on every thirty seconds!

I read an awful lot. I review the best books I come across on this blog for a number of reasons. First of all, I am a writer at heart. I love words. Secondly, I like to share my opinions and hear yours. Finally, I think authors deserve to have their work shared, if they’ve brought me this much enjoyment. These reasons basically end up with me writing a lot and having trained my brain to think of notes about the book while reading, for reviews.

So being spoon-fed notes about books from my English teacher – nice as she is – drives me mad. It’s mind-numbingly boring, and I’m a book reviewer by trade. This – reading and writing – is where I find my enjoyment, and I am not happy that it’s being systematically destroyed.

We spent about six months reading that novel. I like to do the same thing and have the review planned out in less than six hours. It made me dread English, something that horrified me, since it’s my favourite subject. Being me, I’d already read the whole book the first week we got it, so I had to endure another twenty-three weeks of repetition. Not fun. Thankfully, we’ve moved on and it is once again my favourite class. But I don’t want it to happen again. Of course, I’m a teenager. My opinions don’t matter to the Board of Education; they would rather cater for the group in majority, the predictable horde of reality TV-and-little-else-watchers.

The truth is, it’s not the school or the Government’s fault. They’re doing their best with what they have to work with. It’s because of the amount of people who look at reading for pleasure with derision. Their apathy means that those of us who actually care just have to put up with it. It’s true, they don’t trust the majority of the class to read the book at home – and they’re right. They wouldn’t! I really don’t know what to do about this anymore. Help – when will people realise what they’re missing?

Also, I'm going to start posting a picture of my rough handwritten draft for each post, if you'd like, just for a change? It's usually all arty and decorative, but this one isn't really a review so it's not as much. I have a lovely one for my next review, so I'm looking forward to that.

Ender's Game - Review

Published: Atom Books 2002 (originally 1985)
Pages: 326
Genre: Science Fiction
Source: Bought
Rating: 5 Stars

Synopsis: Ender Wiggin is battle school's latest recruit. His teachers reckon he could become a great leader. And they need one. A vast alien force is headed for Earth, its mission: the annihilation of all human life. Ender could be our only hope. But first he must survive the most brutal military training program in the galaxy...

Basically:
Probably one of the best books I have ever read - an oldie, but a goldie.

Everything:
I first read Ender's game years ago, when I was about eleven. So parts of it were essentially my childhood dreams on paper, á la Hogwarts. There were so many parts of this book that I loved, and it's probably one of the principal reasons I'm a fan of science fiction.

Ender is a profoundly gifted six-year-old child at the start of the novel, the third child in a society where only two children are allowed, but who has been commissioned by the government as a potential soldier because of the promise shown by his brother and sister, Peter and Valentine. I thought that Peter and Valentine were really interesting characters, and I loved the descriptions of their intelligence and disdain for what was taught to them at school because, wary as I usually am of saying it, it's so true for gifted children and nobody realises about asynchronous development.  I'll talk more about Valentine and Peter later.

A large part of this book centers around war games, but they involve flying. Flying in null gravity. If your inner nerd didn't get excited about flying games, I don't know who you are, I don't know what you want, but I will find you and force you to re-read it. The war games are intended to train the students of the Battle School for command or support of the military fleet to defeat an enemy alien race called 'buggers'. Young geniuses are chosen from Earth and brought into space to be trained until they're eighteen and ready to fight for the survival of the human race.

I LOVED the tactics Card devised for Ender to flawlessly implement. There is a certain pleasure in watching the hero's plans develop beautifully, never mind how unrealistic they are. The details of of group dynamics in the armies, manoeuvres, toon bonding and tactics are exquisite. And the writing technique was incredibly enjoyable. There are so many elements which combine to make for a brilliant reading experience, among them the relationships depicted between the characters, especially Ender and Alai and Ender and Bean. It's sometimes easy to forget that they're only children, albeit hugely gifted ones.

Ender's Game was written in 1985, before the internet came to power. So it was brilliant to read what he'd written about the 'nets', even though they were described as considerably different from what we know today. During Ender's stay at Battle and Command School, his older brother and sister Peter (12) and Valentine (10) set out to master the nets - and the world. I absolutely adored this part of the book, because it utterly fulfilled my childhood dream of taking over the world through writing. (Everyone has that dream - right?). It's probably no longer realistic to take over the world that fast through the internet because of the endless sea of bloggers (don't I know how hard it is to get one noticed), but it was perfect to read about.

The final war with the buggers was really well written also. Surprisingly enough, I didn't see the twist coming, although others did. If I'm completely honest, I didn't like the few days after the battle. But that's not because of a fault with the book, it's because I care so much about Ender and no Card what are you doing? Upon the second reading I actually grew to like the conclusion a lot more because I understood why it had to happen.

Oh Orson Scott Card, I really wanted to reader-worship you. But you're a homophobic bigot, and I just can't respect you for that. Nevertheless, this book is an exciting, well-written masterpiece and I highly recommend it.

The Fault in Our Stars - John Green - Thoughts

Source: Borrowed
Pages: 313 (I know! Way shorter than usual!)
Rating: 3.5 - 4 stars

In Short:  Slightly disappointed because of the excessive hype, but brilliantly emotional ending. A little let-down because the writing wasn't as incredible as it was advertised.

The Breakdown:

Come on. You hardly need a summary. This book's been everywhere.

By 'disappointed by the writing' I don't mean it was bad, not at all. There was just SO MUCH HYPE. SO MUCH FREAKING HYPE. And the writing wasn't inspired, wasn't a revelation, it was just a serviceable way to relate the plot and a very fast read. My younger sister (twelve) read this book directly before me, sitting on the end of the bed, and as is our custom, handed it over to me the minute she finished reading it. I really wasn't expecting what she said as she did so, though : 'I was a bit disappointed. It wasn't THAT amazing'. I'm ashamed to say that I flipped out and almost banished her from the room for 'pre-emptively ruining my enjoyment of the book'. Yes, that is how my sister and I talk to each other.

And that is why it would be a little hypocritical of me to complain, like so many others have, about Augustus and Hazel's scripted speech. I really did like Augustus. I just suspended belief, and then he was an extremely enjoyable character, reader wish-fulfilment. Even if he needs to STOP ALREADY with the metaphors and grand gestures (a dutch-themed picnic? Putting a cigarette in your mouth for the purposes of not smoking it? Seriously?). NOBODY DOES THAT. STOP. I was talking to my boyfriend about the book and while b oth of us are pretty clever booklovers, we agreed that if I rang him at 3am and quoted some obscure poem he would have to get revenge, instead of using it as a bonding moment.

However, I really liked Isaac. His scenes actually made me come very close to crying, especially the trophy-smashing scene. It was so poignant and real, the part about Isaac's eyes was really a masterstroke. Oh, Isaac, how I love you. I have to admit, I cared more about Isaac's eyes than about Hazel's terminal illness. I just did, I'm sorry. I think Hazel's condition would have been more emotionally arresting if she'd been more visibly sick, like Kate in My Sister's Keeper (How I love that book).

Having said that the writing style wasn't particularly special, there is a good sense of humour in the book. I particularly loved 'the Literal Heart of Jesus' joke. I felt that the Peter van Houten subplot was unnecessary and dragged. I know it was meant to illustrate shattered dreams, idols, redemption and whatnot, but it just wasn't as enjoyable. When he came back in the end I was like 'NOPE. YOU'RE NOT WANTED HERE. GO AWAY'. Although that could be how John Green wanted us to feel.

The end... was why I couldn't decide between 3.5 stars and 4. Throughout the book I kept urging myself to actually get emotional because everyone else was and how could I review the book if I didn't feel it and something must be wrong with me and argh. But finally, ALLELUIA, nearing the end/about three-quarters of the way through, I actually cried. Only one or two tears actually went down my face, but I did cry. I had an inkling this was going to happen but I didn't want to believe that John Green would pull such a brutal Jodi Picoult, but he did. And the reveal is SO QUOTABLE.

Considering my reaction at least 50 pages earlier I really, really expected to cry at the end. But i didn't. I finished the book at 1am, sitting on the floor, slumped against the wall, feeling...beyond sad. Hollow.

I fear that there is not a single coherent thought in the above, but that is what I thought of The Fault in Our Stars.

Mixed review, but I remain a Nerdfighter and kudos to the vlogbrothers.

Mila 2.0 - Debra Driza Review

Publisher: HarperCollins UK, Children's
Pages: 480 pages
Source: Netgalley, from HarperCollins UK
Rating: 4 stars
Genre: Science Fiction, YA, Thriller
What it's about:
ANDROID.

Mila 2.0

In Short: I really need to stop judging books by their first few pages.

The Breakdown:

It’s not even so much that I judged the quality of the writing. I completely misjudged the genre. I ignored most of the blurb before starting the book, because I REALLY wasn’t bothered to read through ‘as she unravels the mystery surrounding her identity’ AGAIN. Which meant that I missed this: (either the basic premise of the story or the biggest spoiler you have ever seen, I don’t know – it is in the blurb) Mila is an android. Mobile Intel Lifelike Android. MILA.

So for me, not knowing the android bit, even though it’s stated plainly in the blurb, the foreshadowing and hinting at her nature was really good, and not too in-your-face either. We get clues about heightened hearing, missing memories and heightened strength, as well as the wariness of her mother, until one day she’s with two friends and something happens which removes all doubt for the reader and means Mila is forced to learn about what she’s really like – from information coldly dispensed, pre-recorded, from an iPod – in the form of a brochure, about her. And she reacts satisfyingly for once! She also experiences that peculiar sensation wherein once you discover something, everything reminds you of it and so many things are made clearer. And throughout the book, although she stubbornly refused it for a while, she begins to accept her design and eventually uses it as the advantage it is. And I loved it.

There is such a huge contrast between the first few chapters of the book and the rest, which serve nicely to illustrate how much Mila’s life has been shaken up. The first part has clichéd, but enjoyable/romantic/fluffy beginnings between she and Harper, but the rest has thrilling action scenes and drama. I’m ashamed to say that I immediately assumed it was going to be some kind of high-school romance (READ THE DAMN BLURB ROSE!), but even so, it was a good one!

Even Mila’s introspective bits, which were necessary because, did I mention, she’s just found out that she’s a freaking android, were concise and managed to fit in well with the plot of the book. Her natural, unbeknownst to her, fighting skills were VERY entertaining to read about, because who doesn’t love a well-written fight with a teenage heroine? Also, we find out that her memory loss, which she had presumed was because of trauma following the ‘death’ of her nonexistent biological father (dum de dum android), are because she really only has been alive for a few months, and she was ‘born’ sixteen.

The meeting with Mila 3.0 was one of my favourite parts. Mila 3.0  is just an updated version of Mila 2.0, the protagonist, but without – many – feelings. Mila 1.0 was destroyed because she had too many, and too many pain receptors, which caused her to fail the torture test (they’re government-created spies), thus providing a potential risk for US security. I loved this because it was a real psychological blow to Mila (2.0), teaching her that she really was just a manufactured machine. However, through the book she does change slightly, which her mother tells her is a point of hope, because if she can change and grow emotionally she is a person.

The last challenge provided to Mila by Holland (oh how I’d like to punch him) was brilliant reading. Never mind how psychologically cruel and difficult it was to Mila. She was pitted against the updated, more skilled version of herself and forced to try to win for the person who matters most in the world to her. What more could a reader ask for? I also loved this part because it reminded me of the arena in the Hunger Games, in that it was really well described and I could visualise it clearly.

There were a few parts that lowered my rating a star. The first was that her ‘mother’, who went everywhere with her and really provided little help, was SUCH  a liability! I was probably supposed to like her as a person but I was just frustrated at her because she’s just going to be an impediment to Mila’s awesome android skills sooner or later. Seriously, she is nearly destroyed/made torture/ bad things just because she insists on running back to some who she isn’t even related to. I shouldn’t be so cold-hearted maybe, but in this book I was. Having said that, there was a decently sad Prim/Dobby moment, if you know what I’m talking about, at the end. Can I just say, Prim’s death – WHY? The whole reason the story exists is because Katniss tried to save her sister! She can’t just – GAH!

Also, the way the set-up for the sequel was done wasn’t exactly inspiring.  And the ending – they just had to throw Hunter in at the end, when he’d had absolutely no involvement for half the story, didn’t they? But again, it was quite cute and the set-up did serve its purpose. I would be very gratified if there’s a Mila 2.1 also, although I doubt it. The description promises a breathtaking cliffhanger – read Catching Fire if you want to know what a cliffhanger ACTUALLY IS.

The cover very nearly put me off the book altogether because it promised clichés and shoddy writing. Please ignore that and the publisher’s description (not the blurb) altogether, they really don’t live up to it.

Overall, it was a very, very good book (debut author! Wow!), and the ‘faults’ are mainly  just my cold, picky heart talking. You can also blame the amazing book I read before this, which may have meant Mila should’ve gotten half a star higher. Anyway, I really enjoyed Mila 2.0 and highly recommend it.

There is also Origins, book #O.5, and two more to come.

I’m moving away from the science fiction with my next review, as I am currently reading a Terry Pratchett Discworld novel which I want to share my thoughts on.

And may I show off a little here? Because I really want to share this.

I’m 14, living in Ireland and I want to go to a kind of early college classes camp thing this summer which you may have heard off – CTY(I), which only accepts those who are in the top 5% in intelligence for their age group. So I did the PSAT, which is very similar to the SAT. And I got my results back the other day, and guess what!

In Writing, I scored higher than 98% of SEVENTEEN YEAR OLDS (high school juniors are generally seventeen, I think?)

In Critical Reading, I scored higher than 96% of SEVENTEEN YEAR OLDS.

In Maths I scored higher than 77% of SEVENTEEN YEAR OLDS

I think that’s pretty good for a fourteen year old! So that definitely qualifies as higher than 95% of 14-year olds in everything. And I did it without study.I’m sorry, I just had to share that news.