Monday, 28 April 2014

Ender's Shadow - Orson Scott Card Review

Heads up: I strongly advise reading Ender’s Game before reading this post, as it’ll make a lot more sense. Having read Ender’s Shadow would be a bonus but is not necessary for understanding it. This review is difficult to write without giving spoilers, but as I was so excited to read Ender’s Shadow, I’ll give it a go.
Ender’s Shadow (Orson Scott Card, 1999) describes mainly the events of Ender’s Game, but from Ender’s subordinate Bean’s perspective. Despite this, there is a huge amount of new material in it.

It begins with Bean near starvation as a street urchin, using his brilliant mind and cunning to keep himself alive and eventually get himself into Battle School – no small feat when he’s abandoned before he can walk and gets into Battle School around four.

On the surface, he tends to remind people of Ender – smart even for Battle School; small and young; intentionally isolated from his launch group by the adults; not fond of authority; promoted rapidly – but on the inside, he’s disconcertingly different.

Used to fighting for survival, Bean seems unscrupulous – he will do anything to stay alive. He scored even higher than Ender did on the entrance tests, getting the highest score in the history of Battle School by a wide margin (and at what age, 4?). To put it shortly, Bean is extremely intelligent. And he has few of Ender’s lofty moral ideals, and little to none of his compassion (arguably Ender’s greatest strength). He is eely analytical and excels at extrapolating the information he needs from what little he is told. You might have thought Ender was cautious, suspicious, but Bean blows him out of the water on that front. He won’t even play the fantasy game for fear that the adults will use it to psychoanalyse him (funny, that). I wouldn’t necessarily say he’s self-absorbed, but his survival instinct is incredibly strong.

While I praise Card for having the skill to create characters so seemingly alike and yet so different underneath, I didn’t always enjoy it. When I was reading Ender’s Game  I was quite fond of Bean and had a nice idea of him in my head. He seemed plucky, daring, adventurous, lovable. But here was a story told from his point of view and the author smashed my mental image of him from the last book (which I didn’t appreciate). He came across manipulative, calculating, cold – perfectly content to fade into the background at Battle School until he figures out the adults are expecting him to excel, only getting close to Ender because he thinks it’s his best bet of getting ahead.

Also, while Ender’s isolation leads to him becoming a leader, Bean doesn’t have that leadership quality. Perhaps it’s because he’s lacking in compassion, but whatever the reason, Bean gets ahead much more in his studies than in the Battles. (Although he’s such a genius that he does end up with his own army in the School).

Enough about Bean for the moment. The overarching plot is largely the same, but the timing feels off (which makes sense, as Bean reacts to and prioritizes things differently, but it’s disorientating). I sometimes think Ender may represent humanity’s sense of duty and Bean our self-preservation.

I thought we might see what happens to the other kids (excluding Ender) when they return to Earth, and was disappointed not to. Perhaps that’s in another book in the series – I hope so.

There was a certain subplot about Bean’s heritage that was just very underwhelming for me. I felt that (a) it didn’t really fit with the story (b) it’s not tied up at all in the end, in my opinion.

I was so uncomfortable with the sort of things Bean was doing and finding out towards the end of the book (and even in the middle, with the air ducts). The thing regarding Ender’s Game’s plot twist was manageable, but it seemed like things were shifted around a lot. Anyone who’s read the first book knows that Bean is seen as having a lot of potential and is slated as Ender’s Second for the Third Invasion, that role was really played up in Ender’s Shadow. I was also left confused by the fact that Bean, as far as I’m aware, never had a monitor, nor did any of the street urchins – how could Battle School accept him? The resolution of this book was messier than Ender’s Game, I felt.

I enjoyed reading it, but not as much as Ender’s Game. While the urchin background was interesting and really made me sympathise, I didn’t find it as compelling as Ender’s Game’s main plot or even its Demosthenes and Locke subplot.



All the books in the Ender’s Game series(es?) throw up incredibly interesting questions and themes, so hopefully I can explore some of those in the future. 

PS: I loved the movie, even though it left out so much - what did you think of it? I boycotted it in the cinema because of Card's homophobic behaviour, but I saw it on someone's DVD and really enjoyed it. Plus, Asa Butterfield is fantastic.

Wednesday, 9 April 2014

Little Children - Tom Perrotta Review


Published: January 2004
Rating: 3 stars

Reading Little Children was a fairly strange experience for me, because it’s definitely way out of my comfort zone. I’m used to YA, science fiction, dystopian, post-apocalyptic and some other things. I rarely read contemporaries but when I do they’re generally still YA. This one, not so much. It’s adult contemporary, and I’ll throw the word ‘comedy’ in there as well. But it’s disconcerting.

The thing about the books I read – let’s say science fiction and fantasy, for the moment – is that they’re escapist by nature. I mean, I’ve never experienced Earth in the 28th century, but I still loved Earth Girl by Janet Edwards. I don’t go to Hogwarts, but thanks to J.K. Rowling I could while I was reading.
What I love are ‘what-ifs’ – when one thing about our world is changed and the author lets it play out. So these books have a readymade hook – ’24 teens fight to the death on reality TV’, for example, or ‘Boy enters world of wizardry and magic and fulfils prophecy’.

 But mainstream adult fiction ... just doesn’t have that. I mean, if I had to come up with a one-liner for Little Children, it’d be something like ‘Mothers gossip at the playground and marriages break up.’

And yet I can understand why it’s called things like ‘a fascinating look into married life today’ or ‘a dryly humorous view of life with kids’. It’s a different form of escapism, I think. One where you aren’t taken to a place you’ve never seen before – instead, you’re shown the same old world and helped look at it through different eyes. So all these young mothers and married people and even those who are neither (like me!) see their lives reflected in the characters.

I didn’t find it a gripping book; I’d say it’s definitely a summer beach read. But it was enjoyable to read. It didn’t make a huge impact on me or blow my mind like lots of my YA books, but it was pleasant while I turned the pages. The problem I had was motivating myself to finish the book after I’d put it down for a few days – it doesn’t have the kind of magnetism of some other books, where you just have to finish it now.

It was also a bit rude in places, so if you’re under 18 and/or squeamish about that kind of thing maybe don’t go there. Nothing too heavy, just enough to make me a bit uncomfortable – again, because the relationships it depicted were adult ones, which are very different to their teenage equivalents. In fairness, I did ‘borrow’ this book off my mother, so...

Everything above I can deal with, because they were just small things that bugged me. But I have to say this: I hate the ending. Hate it. It’s just ... pointless. I won’t spoil the ending but I’m used to there being some kind of climax, a confrontation at least. Even in the most badly-written dystopian something large-scale has to happen. This novel just tailed off. It's a pity, because the pacing was great until then.

Damn it made me mad then. But sure look, Little Children was a NYT bestseller, and although it didn’t blow me away, I did like it. To each their own. My favourite part was probably the humour - Perrotta is excellent at funny snide comments, I must admit. 


So there you go. Sorry this is more a diatribe on adult contemporary in general than a review of Little Children, it just kinda happened. I’ve just finished Soon I Will Be Invincible and Nineteen Minutes, so reviews of them are on the way. I’m almost finished The Testing by Joelle Charbonneau which I ADORE. I’ve just started Fuse, the sequel to Pure by Julianna Baggott, so I’ll see how that goes. 

Tuesday, 18 March 2014

TBR list (Top Ten Tuesday)

Hello! So, I was in Waterstones at the weekend (how I love that place) and I tortured myself by making a list of books I *need*.
1. The Testing - Joelle Charbonneau. Seriously, I might die if I don't get this one soon. I read 86 pages of it in Waterstones at the weekend (thanks to the staff for not kicking me out - I'll buy it when I can, I promise.) and I'm in love.
2. Death Cure -James Dashner.
3. Nineteen Minutes - Jodi Picoult. Bought this for €3.99 on Saturday, enjoying it so far.
4. Breathe -Sarah Crossan. Intriguing blurb, sounds similar to Pure by Julianna Baggott.
5. You Against Me - Jenny Downham.
6. The Hit - Melvin Burgess.
7. Across the Universe - Beth Revis.
8. iBoy - Kevin Brooks.
9. Thumped - Megan McCafferty.
10. Fuse -Julianna Baggott. I actually got this one for Christmas but haven't got around to reading it yet.
11. The Knife of Never Letting Go - Patrick Ness.
12. A Gathering Light - Jennifer Donnelly.
13. Delirium - Lauren Oliver.
14. The Mad Scientist's Daughter - Cassandra Rose Clarke.
15. Dune - Frank Herbert.
16. Days of Blood and Starlight - Laini Taylor.
17. Skulduggery Pleasant: Last Stand of Dead Men - Derek Landy

*TBR = To Be Read. 

(This post was originally published on the 11th of March 2014, but I've rescheduled it for the 18th to coincide with The Broke and the Bookish theme for today).

Tuesday, 11 March 2014

TTT: Top Ten All Time Favourite Young Adult Books

Top Ten Tuesday is a weekly event hosted by The Broke and The Bookish. This week's theme is 'Top Ten All Time Favourite Books in X Genre'.

1. The Harry Potter series by J.K. Rowling. Duh.

2. Daughter of Smoke and Bone - Laini Taylor.

3. Earth  Girl - Janet Edwards.

4. Slated - Teri Terry

5. Partials, Fragments - Dan Wells

6. The Skulduggery Pleasant series - Derek Landy.

7. The Hunger Games - Suzanne Collins

8. Divergent - Veronica Roth

9. The Artemis Fowl series - Eoin Colfer.

10. The Temeraire series - Naomi Novik.

Friday, 7 March 2014

Cover Reveal - Delete by Kim Curran

Hi everyone!

Okay,  so you all know how much I enjoyed Control by Kim Curran (if not, take a look at my review). One thing I really liked was the cover for control. Today at 3pm GMT the cover for the third Scott Tyler book, Delete is released. So here you go.

(By the way, I totally did not get the whole Shift + Control + Delete thing until now).




How cool is that? Well done to everyone behind the series! I still think Control is my favourite cover of the three (that perspective is just too cool), but they work well together.

Delete will be published in August 2014, and I'll post a review when I get it to see where it goes from Control. I'd better re-read Control, actually, so I can get the details of this one.

Coming up soon, a Water for Elephants Review.

Until then,

Rose.


Sunday, 16 February 2014

The Host - Stephenie Meyer Review

Publisher: Little Brown and Company 
Genre: Science Fiction
Pages: 619
Rating: 3.5

A species of aliens have colonized Earth.They are pacifists, unable to lie or deceive, and go by different names on the many different planets they have conquered. Here they call themselves Souls. They are silvery, ghostish and delicate when not in a host. To live they must be inserted through the back of a host's skull, where they take over its bodily functions and suppress its old mind.

Wanderer, or Wanda, is a Soul who is almost revered amongst her kind for having completed nine full life cycles on other planets before coming to Earth. Experienced as she is, however, she still has problems when she tries to take over the body of a human called Melanie. Because Melanie's body refuses to be suppressed. Melanie is fighting back.

Unexpectedly, Wanda starts to notice Melanie's activity and is affected by it. They set off to try and find Melanie's friends and family. But who would trust them, the two souls in one body, when anyone can tell there's a Soul in a human body by the bright silver ring around their pupil?

Alright, my all-time favourite part of this book was the concept and, as an extension of that, the world-building information. I loved learning about the biology of the Souls, about their history, about the new society they've brought.

I also loved the conflict between human nature and the aliens. The aliens cannot lie or deceive. Soul-run shops and hospitals always work smoothly, without any bad feeling, and everything is pristine and simple to understand. But the humans can lie and get angry, and boy are the few survivors angry that their planet has been taken over by the 'parasites'. Those who survived are living underground in squalor while everywhere else are Souls walking around in human bodies, going about their daily lives. I almost found myself rooting for the aliens, so smooth was their society. The Souls are not used to the strength and variety of human emotion - for them, everything is calm and pleasant. They do not take over humanity cruelly. In fact, they are more *humane* than the humans themselves.

I liked that this wasn't really about an invasion or colonisation. That happened some time in the past, and now Soul society is fully up and running . As you may know, I love reading about how fictional societies are set up and it was nice not to just see chaos for a change.

What I didn't like: I'm not a big fan of the romance. Is that a love quadrangle? Two minds in the same body iin love with two different men. I mean, how does that work? At least the romance isn't the main focus, because some of those men were just plain unpleasant. Meyer seems to bring up horrible men a lot.  I found Wanda and Melanie interesting, but I wouldn't say the characters are my favourite things. I was much more drawn in by the world-building. The plot was pretty good - it didn't wow me, but again, the premise was so interesting that it glossed over everything else.

The relationships thing was worrying. Why are all the men so controlling? Wanda is a Wandering Soul for god's sake, she's been on at least ten planets, shouldn't she have more independence? The treatment of girls is a bit strange. And okay, some parts dragged.

I do think Meyer wrote it quite well. She could have butchered that premise but didn't, and while she could have gone a bit further with it at times, I think it was done well overall.

3.5 stars for my enjoyment, 3 for quality (and those worrying relationships).

Recommended to science-fiction/world-building buffs, or people who love infodumps as much as I do. Having said all that, I don't think I'd particularly like the movie. I'm afraid the romance will swamp the whole thing.

Tuesday, 11 February 2014

Before I Die - Jenny Downham Review

Before I Die – Jenny Downham Review

Tessa is dying of leukemia, and there are no treatments left to stave it off. Before I Die documents her journey through her last few months of life, offering tear-jerking insight into the reality of love and life itself. 

I first read Before I Die months ago, and it didn’t make that much of an impression on me. Some emotion, yes, but nothing groundbreaking. So I decided to try it again, and have come to the conclusion that this book needs to be read multiple times to be appreciated.

But appreciate it I did.

I’m having trouble pinning down exactly why. I mean, Tessa (main character) is incredibly annoying. If I met her in real life, I would probably punch her. Yeah, she’s got a terminal illness but gurl if you’re going to narrate a book please stop making me want to strange you before the cancer can! However, this could be a good or bad thing, depending on how much likeability you’re willing to sacrifice for the sake of realism.

That carries through to the whole book, actually. The whole book is so achingly, beautifully real. She’s no archetypal What Katy Did character. But neither is she outrageous enough to be entertaining in her unpleasantness. She’s just an ordinary teenage girl who knows she is going to die, trying to live her life the way she wants it. And that doesn't mean things like helping the orphans, by the way. It’s things like sex and drugs, things that she sees as so urgent because if she doesn't do them now she may never get the chance.

The crowning glory of the book, though, is the writing. It’s simply stunning, always perfectly phrased. I was trying to get some choice phrases to illustrate my point but there were too many to choose from so they’re at the bottom of this post. The whole thing is just so unashamedly surreal. I don’t know how Downham gets away with it – anywhere else it would just come off as pretentious, Tessa’s constant philosophising. Here, while it’s still pretentious, it fits somehow and adds to the piece.

And Adam - Adam is just great. You'd have to read his dialogue to understand. 

All this said, I would avoid the book if you like plot-driven novels rather than emotion-driven ones. Before I Die really has no plot to speak of. I mean, the ending is in the title. And there are no big twists or sudden bangs. But if you appreciate beauty, subtle tearjerkers and little insights into the strangeness of life, I recommend it.


3.5 stars.

Examples of the writing:
"You've got lots more tomorrows."

'I used to believe that Dad could do anything. Save me from anything. [...] It hurts more than I could ever have imagined.' 

'And I'll continue in this empty world, tapping silently on the glass between us.'

'If wishes came true, my bones wouldn't ache as if all the space inside them is used up.'

'How many miles we miss each other by.' 

'How easy it is for them to talk about the future.' 

'It's easy to talk in the dark - I never knew that before.' 

'It's utterly beautiful not to know my own edges.' 

'He strokes my head, my face, he kisses my tears.' 

"I want to die in my own way. It's my illness, my death, my choice. This is what saying yes means.”